Oil Pastel-Glue Pattern Project for the Blind

The concept of balance gets more complicated when you try to balance color and shape throughout a composition. The goal is to lead the viewer's eye throughout the piece, placing blues and oranges in ways the form triangles and take value and shape into account as you create some visual stability.

This is especially complicated when you don't have any vision. My students, who are visually impaired or blind began their assignment by setting a squirt of school glue in motion to create a meandering line that crossed over itself to make shapes. The glue created boundaries for oil pastel, but Elmer's isn't a tall enough wall for some of my students, So I would trace over the Elmer's with Wiki-Stix for my students to feel their shapes. Or they would start their drawings with Wiki-Stix and I'd trace them in hot glue before removing the Wiki Stix.

Wiki Stix create boundaries on one or two shapes at a time.

Students would choose where to place each color and then vary the value within the shape, which made it a more interesting than flat shapes. Oil Pastels are easy to use and after coloring for a short amount of time it is easy to feel the difference between plain paper and the greasy patch of color. I was so pleased with how the assignments turned out, proving that you don't need to know how to draw to make a pretty picture, and you don't need to see to make a solid composition.

 

Collaboration Celebration!

We are back in school and my art room is abuzz with busy artists! Last week, as schedules were getting settled and students were trying to learn class procedures, I had them each create a portfolio (giant paper folder). They had their choice of medium, as long as their name is the focal point. Some used foam stamps, others, marker, hot glue, colored pencils and stencils, and pastel. But with a huge range of ability levels, I found that some students, and some classes work more quickly than others. In order to keep each student engaged in the creative process (and out of trouble), I kept a large piece of butcher paper a table.

I used green paint to divide the paper into round shapes, which were then hot glued, so that blind students could feel their boundaries and stay in their section. When anyone had some extra time, they were invited to use pastels or oil pastels and create a pattern within a shape.

My advanced class of low vision students made their own "mural" by dividing black paper with high contrast lines, creating triangles of various sizes.

It was a great introduction to not only shape and repetition, but unity and variety as well. Every class has students who are very unique, but we can be united as a community of learners, just as parts of a "mural" can be visually united. We also discussed the fact that collaboration means having respect for others and their contributions. I have a good feeling about what is possible for my students this school year.