Picasso and Braque were friends in Paris who had similar ideas about art in the early 1900's. The idea of showing multiple points of view of a still life at the same time somehow seemed more honest or interesting than just one perspective at a time. A cup may be a circle if you trace the bottom onto a piece of paper, or a rectangle if you trace it on it's side. Why not tell the whole store by showing both the rectangle and circle simultaneously?
Another thing the Picasso and Braque did was to introduce collage to their paintings. pieces of newspaper or table cloth along with parts of a guitar and cup may add up to equal the ambiance of a Parisian cafe with someone playing music while you take a sip and read the paper. This synthesis with collaged materials were what made for Synthetic Cubism.
It's hard enough for those of us with sight to understand how cubism used fragmented planes, but for my students with no vision, it was very confusing. They grasped the concept of collaged materials very quickly, however. Wall paper of various textures, and thick to thin cardboard pieces helped students differentiate between and arrange shapes.
Students were asked to leave little clues for the viewer: a hint of a fruit bowl, parts of a table, some wood grain or table cloth pattern.
As an art movement, Cubism didn't last very long, just six years, ending with Braque leaving Paris tin 1914 to go fight in World War I, but the little clues about what was happening in the lives of the artists are still there for us to see.
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