The powder Plaster of Paris is added to water in a one to two ratio. It gets thicker with time, so we worked pretty quickly and made sure it was about the consistency of a runny pancake batter. I thought if it was really thick it would be stronger, but it made it crumbly and hard to manage.
Once it was poured into the "pie crust" I took a wire and bent it to make a hanging loop. This will make it easier to hang from the wall, so it is important that the loop is at the top.
After an hour or two it was set. We flipped it up side down and pealed
the clay away from the plaster. Of course red Georgia clay is not the
first choice for this project since it is hard to get the dirty look
from the pristine clay, but we worked with what we had, and once it is
painted it won't show. This project can be used for a child's hand print, rubber stamp lettered words or ways of preserving nature. It was also a perfect way for us to create relief sculpture using a new medium and technique.
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