Pages and Postcards: An Exhibit by Kristen & Dennis Applebee

My husband Dennis and I just hung our Art Show

This is the first installation Art I have ever made for a gallery space. It's actually the first 3D work I've ever done for a feature show; and the first time I've ever shown photographs in this kind of venue. My concept was one of influence. My challenge was to try to boil all the major influences in my life down to a single object.

The influences that have shaped my life are numerous and varied, like the stars in the sky. Growing up in rural Pennsylvania Dutch country, where Moravian Stars were common and faith was strong, molded my early understanding of the world. Books and storytelling were part of daily family time. The year I met my husband, he began using book pages in his art. 

I use Braille book pages in these stars, not only as a nod to my parents and Dennis, but to my students at the Academy of the Blind. Although they lack vision, they’ve opened my eyes to seeing the world in a different way. 

As I’ve traveled the world, I’ve been more keenly aware of how living in the U.S. has shaped my assumptions and world view. The 50 stars represent that tie, and the totems (towers of stars) represent my parents, five siblings, husband and three children, who have taught me the most important lessons in life, especially how to love more profoundly.

 

Wesleyan Collage Workshop

 The Wesleyan College Leadership Lab has started a series Called Level Up, where community members can take part in Learning Experiences with poet Laureates and experts on AI. The first in the series was a collage workshop presented by none other than Dennis Applebee, the Art Department Chair, and my hubby. He walked participants through the history of collage and his process before turning us lose with books, art paper, X-Acto knives, and archival glue sticks.  The number one problem students make? Not putting enough glue and having the edges curl up. He uses a piece of copy paper to cover the freshly glued collage piece and rubs it pretty hard in every direction with a flat tool to make sure the glue goes into the fibers of both pieces of paper, with rubbing the image or snagging the surfaces. A lot of people left with some really nice pieces. 

Dennis had his art show hanging at the Leadership Lab throughout the month of August, so it was nice to have lots of examples of finished projects. How lucky am I to be married to such a talented guy?

If You Can't Be an Artist, Befriend One

Art makes places more interesting.

Artists make life more interesting.

I was reminded of this a couple weeks ago by an NPR story about an old art friend of mine, David Babcock, who had just broken the world record for knitting the longest scarf while running a marathon. The scarf was 12 feet long, doubling the previous record for marathon knit scarves.  While some may be confused by this story, it makes complete sense to people who know David.

Which prompts the question, “What is the deal with artists?” (Other than the obvious and BY FAR the most important thing, which is of course that they make art.) Forgive my nostalgia as I reflect on my college art friends, and some common threads between them. Here’s the deal:

Above: David in 1994 (long before he became a design professor and took up knitting and running), me, Tyler (ceramists turned animator turned lawyer/photographer) and his bride Sarah Williams (songwriter/ children's book writer).

1. Artists try new things.

All of my college art friends have experimented with new media because being an artist is bigger than being a glass blower or painter. My friend, Chris Lynn studied painting and ran galleries, yet he and his wife, Maria Samuelson, created Blobby Farm, a place where his doodles become chic, plush…uh…blobbies. As executive director of Cleveland's, SPACES, he invited people to bash TVs while singing karaoke. Spectators sat on a set of “bleachers” made from used sofas. He's not afraid to try something new.

Everybody loves Chris

This principle applies to much more than art. The more things you try, the greater the chance of finding things you like, and the more things you like, the greater your chances are of being happy. I am amazed at how many people in my deep-south city (my 12-year-old included) are unwilling to step outside their fried chicken and barbecue comfort zone. Artists are willing to try hummus, kimchi and curry.

2. Artists believe in possibilities.

When asked why he knit that crazy long scarf while running a marathon, David said, “The short answer is because I can.”

That CAN-DO/WHY-NOT? attitude is a must to anyone who wants to live an artist’s life. The world discourages aspiring artists with threats of failure and destitution, but real artists find a way. One year, as newly weds, my husband Dennis and I had eleven sources of incomes listed on our tax forms. We were both active at exhibiting and selling art, we worked as studio assistants and adjunct faculty at Ohio State. Dennis freelanced for a design studio; I tutored Japanese families for Honda. We, along with some friends also started a web development company just a few months after buying our first computer. Why not? Other people could do it. We could too.

This attitude has allowed Mandi Felici to use her degrees in sculpture and textiles to pursue interior design, start a catering business, create flower arrangements, design Ikea store displays, build giant stork nests, and make a shelf piece full of little jars of dirt she’s collected from around the world.

She sees something she wants to do and then she does it. It is that simple.  Scuba diving? Learned. Master gardening? Certified. Meditation retreat for women? Hosted.

Can you see why having an artist in your life would be a good thing?

Here I am with best friend Mandi in her installation, Current.

3. Artists make connections.

I spent my Sunday dinners in graduate school with a small group of printmakers plus one ceramicist. Somewhere between the chicken etouffee and an episode of the Simpsons, Rob (Boy Genius) Stephens would entertain us with, say, an impromptu discourse on Chinese foot binding, inspired by a woman he’d seen using her knuckles to work the cash register because her extra long nails rendered her fingertips useless. 

Once, he hand printed lithographs of kittens onto sticker paper with a seal that designated the stickered sites as “officially cute.” Then he hung them in dangerous neighborhoods to help people feel at ease. The world makes more sense when you can see a connection between tiny feet and long fingernails, between cuteness and safety. A sense of humor doesn’t hurt when navigating through life either.

4. Artists can look at one thing and see another.

In learning to draw portraits, beginners say to themselves, “Now I’m going to draw an eye.” Then they proceed to draw a football shape with a circle in the middle—a symbol of an eye—not something that actually looks like an eye. The trick to observational drawing is looking beyond the eye to the shapes and value contrasts that will ultimately make a believable rendition of an eye.

This skill of envisioning allowed David to look at a giant stop sign and see the top of a kitchen table that could seat eight. It allowed our former professor, Joe Ostraff, to look at a sandwich vending machine and see a way for us to sell small works of art. It allowed my friend Valerie Atkisson to see beyond her homemade paper Christmas card to a business selling nativities made of precious metals.

Valerie and I at her design show booth this year.

5. Artists feel.

They are generally willing to take the emotional risks that make real friendships possible.

The few things I listed are not true for every artist. But they are true for the artists in my life; and my favorite thing about being an artist, is getting to have fascinating people in my life.

Above: Disco skating. Mandi, David, me and Doug Flandro 

(Doug was in the theatre department but has since gone on 

to RISDI and now designs museum exhibits in Boston).