Alexis and Tanner have done large brickworks in Australia, China, Thailand, Taiwan and Turkey!
They begin the process by stacking wet bricks and carving their shape. They mark each brick with a code before loading them into the kiln. Once the bricks are fired, they are hauled to the site. That's where we came in. My kids (and one of their friends) helped carry hundreds of bricks and sort them by letter, which told the layer of the sculpture.
The boys also helped to dig out the shape of the bottom of the sculpture, which Alexis and Tanner then filled with cement. We carved our names into the cement before it dried.
The next morning we started creating the shape of each layer by arranging the numbers in order. Tanner had drawn maps for each layer in a notebook to reference. If a brick is missing, it throws everything off, so great efforts are made to find every brick and be as accurate as possible, especially on the first couple of layers.
My daughter and I came out a third morning to organized the bricks for the back of the bench so that the masonry work would go faster for the artists. They'd mixed a mortar that matched the color of the brick very nicely.
And here is the finished bench. If you've ever wanted to relax in the shade on the back of a big armadillo, here's your chance. While this is a much smaller piece than say, their fifty foot dragonfly in Atlanta, it still took a tremendous amount of time and effort. Real art requires real sweat. Alexis and Tanner are no strangers to rolling up their sleeves and doing what it takes to make great things happen, and I am grateful they let us be a small part in the process.