In the book, PAINTING IN THE DARK, ESREF ARMAGAN, BLIND ARTIST, Rachelle Burk describes how a blind boy, growing up in Turkey during the 1950's and '60's, wanted to learn about perspective, which is, "creating a three dimensional appearance on a flat surface. This was a difficult concept so he sought the advice of an art professor who explained how size and angles show depth in a picture. The professor drew examples for Esref to feel, demonstrating how a road or bridge appears to narrow to a point as it stretches into the distance. Esref understood applied the methods to his work. He practiced until he could paint in perspective as well as many sighted artist."
All of my art students are legally blind, which means they have 20/200 or worse vision, in their best eye, with glasses. I teach those with a little bit of vision, two-point perspective drawing much as I would a sighted child. We start with a horizon line with two vanishing points at either end (often going off the page onto paper taped underneath) and then determine where the tallest vertical line, the closest corner of a building, will intersect the horizon line. Lines are drawn from top of the vertical line down to each vanishing point and from the bottom of the verticle line up to the points. The width of the front of the building is determined by cutting the triangle made from the building corner to one point, with another vertical line. Another vertical line is used to make the side of the building.
Some low vision students used a Visio Book, a closed circuit TV, as a magnifier to add details.